Though small five- and six-part Harmonien were probably the most common wind ensembles until after 1800, the best-known example of Harmoniemusik is the wind octet. The octet of oboes, clarinets, horns and bassoons, sometimes with double bass or contrabassoon, was popularized by Emperor Joseph II during the 1780s. Joseph’s ‘kaiserlich und königlich Harmonie’ (k. k. Harmonie) was assembled in 1782 from wind players from his Burgtheater. Many similar groups subsequently appeared in the courts of other Viennese nobles such as Prince Alois von Liechtenstein, and further afield, particularly where Viennese influence was felt or Joseph’s favour courted.
The k. k. Harmonie was renowned throughout the empire…
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